It is the season to lounge on the sofa and consume a tin of mince pies in front of a great film, a bad movie, or one that’s so bad it’s good.
This year, a crop of fresh holiday movies hopes to be part of our seasonal watchlist—perhaps even earning a place alongside timeless staples like Home Alone, Elf, Love Actually, and Die Hard (don’t start).
Thus, in a vital public service to distinguish the gems from the coal, and to get into the Christmas spirit, I binged as many fresh Christmas films as possible in a single day.
Kicking off, optimistically, on a positive note. This film is the only 2025 title on a popular review site's list of the top 100 festive features of all time.
The Jonas Brothers find themselves stranded in the UK after concluding their global concert series and must make it back for Christmas. Their efforts are hindered by an villainous Saint Nick, who breaks into song to state they won’t get home until they “rediscover their sibling bond.”
The banter between the squabbling siblings is amusing even for the non-fan, while followers will no doubt pick up on lots of in-jokes as they try to get back using any means of transport necessary.
It’s private planes, trains and automobiles.
It’s not legendary, but is excellent for devotees and a solid start to the day.
Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their loved ones who are obliged to sit through it.
Hollywood star Kiefer Sutherland appears as a Hollywood star cast a traditional British stage show.
“A panto-what?” asks Sutherland’s “difficult” and ageing star Brad Mack, who has hit a rough patch and whose agent has misled him into thinking he’s appearing in prestigious English theatre.
His Aladdin co-stars tell him he’s playing Buttons. “Absolutely not,” he insists angrily. One can imagine their response. Except if you’re unfamiliar with traditional British theatre traditions.
There are some great jokes, some heartwarming side stories, and the supporting actors is excellent, too.
It’s the type of film that would be a bit tacky at a different time, but is a great entertainment at Christmas.
Christmas tree rating: 🎄🎄🎄🎄
A familiar face pops up at the start of this film, too, insulting someone for the second consecutive movie. Could this be a budding festive ritual?
This time, he’s a musical taxi operator who collects Mr Sood, the latest spin on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by an actor from Kunal Nayyar and Christmas Karma is directed by the filmmaker behind Gurinder Chadha. The well-known tale progresses as the miserly Mr Sood is visited by the ghosts of Christmas yesterday, today, and tomorrow, played by Hugh Bonneville, Billy Porter, and Boy George.
This cultural adaptation is at least different from all the others, but regrettably he’s not very captivating and Nayyar’s performance is lifeless—a problem when he’s so central to everything.
Holiday verdict: 🎄🎄
Before lunch for a network's holiday special—which stars Guz Khan as a charmingly cantankerous character who “doesn’t really do Christmas.”
But after he gets an £8,000 Christmas bonus at work, his wife (portrayed by Morgana Robinson) persuades him splurging the cash on a family trip to Lapland.
There’s just one snag—he learns there was an error with his bonus, which should have been £800, and he has to figure out how to return the excess.
Fun while it lasts but not lasting.
Holiday verdict: 🎄🎄
This is one of those holiday movies where the festive trappings are in the background—Christmas is the environment of the film rather than its core purpose—but it feels comfortable and seasonal all the same.
Ambitious executive Sydney (played by Minka Kelly) is dispatched to a vineyard to do a deal for a champagne business. On the way, she meets a fellow in a book store who promises to show her the holidays in the City of Light.
A critic recently declared this is the top new Christmas film of the last several seasons. That’s a bit of a overstatement, but it is a holiday love story with a dash of elegance and gives the necessary cozy feelings.
The scene with a extended debate about Die Hard is notable too.
Christmas tree rating: 🎄🎄🎄
Young Chris, played by Lenny Rush, refuses to stop believing in Father Christmas, despite the efforts of his dad (played by James Buckley) to tell him the reality.
The secret is to be discovered, and Chris ventures forth to find it with the assistance of a panel of well-known figures.
It’s understated but charming, and perfect viewing while expecting Santa to visit.
Festive score: 🎄🎄🎄
Michelle Pfeiffer is the head of a quarrelling American family who reunite for the holidays—including fellow Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer opens by name-dropping holiday staples like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before saying: “They need to make a movie about the unsung heroes of the holidays—moms.”
So that’s the concept, but in execution it’s really a mash-up of those inspirations, at least until Pfeiffer’s character finally comes into her own.
Christmas tree rating: 🎄🎄
The day’s waned in quality, but thankfully here’s a new addition in the packed genre of predictable, sentimental, cheesy—and highly entertaining—festive fodder.
It’s a tale as well-worn: An American woman goes on a quest to a far-off wintery locale and ends up stumbling across romance.
In this case, Caprice Bourret plays a publisher